FRANCE
MAGAZINE
#107 August 2007 ; www.francemag.com
Home is where the art
is
Couple has transformed an ancient Provençal
house using their favourite artists as inspiration.
ANTHEA GERRIE
Takes a look around
You don't have to be a painter or musician to
stay at Maison Lumani, the most unusual B&B
in Avignon, but if you are a creative type you'll
have a treat in store. The wonderful haven tucked
into the city walls of this ancient gateway to
Provence, which hosts important art and music
festivals throughout the year, was created by
artists specifically for other artists. So it
has a few unusual favilities to go with the colorful
one-off bedrooms and striking, sculpture-lined
courtyard garden.
For a start there's a purpose-built studio, adjacent
to Elisabeth Beraud-Hirschi's own workshop, where
she produces all the pictures that hang in the
five guest bedrooms, as well as work for her outside
patrons. And then her husband Jean, who masterminded
the architectural transformation of the old maison
de maître, insisted on installing a fully
soundproofed music room for practice sessions
wich wouldn't disturb the neighbours-although
in this charming bohemian section of town, just
inside the Porte Sant-Lazare, they probably wouldn't
objects to any stay strumming or drumming. Either
way, this unique facility makes Lumani the lodging
of choice for performers attending the major summer
music festival in July.
But anyone who just likes to look at beautiful
things will enjoy staying at Lumani, which was
exactly what Elisabeth, a Parisian antique dealer-turned-painter,
and Jean, a Swiss architect, had in mind when
they decided to set up shop in Avignon four years
ago. They wanted the pleasures of living in Provence
without sacrificing a lively urban lifestyle.
A touch of style
“Avignon is a real cultural hub, and apart
from the fact it's right in the heart of Provence,
it also has a heavy Italian influence which is
important to as we love Italy too”, explains
Jean, who converted the listed building with great
style three years ago.
It took them a year before they found their ideal
property, but Jean had very firm ideas of the
four elements it would have to accommodate: “I
had already drawn it in my mind-a home for us
and our two sons, a separate house for guests,
a sudio for Elisabeth and visiting artists and
a purpose-built music room, not least because
i love playing sax myself.
“The whole project took just nine months”,
he says proudly, to which Elisabeth quickly adds;
“Yes, just like having a baby-and it was
every bit as painful !”
Painful literally, that is, only for the builder
who fell through the rotted floorboards of the
top storey of the handsome, shuttered three-storey
19th-century stone mansion where guests sleep.
This floor also houses a cosy red living-room,
striking dining room, library with fireplace and
the fabulous old kitchen awash with original beams
and old blue and withe tiles where breakfast is
prepared.
The guests in this suite, who now have a totally
safe floor, albeit of salvaged ancient boards,
get a breathtaking view of the old city walls
and the sun setting over the Rhône, while
from the front of the house, all guests have a
view of Jean's 21st-century artistry-a beautiful
modern pond over which hangs a striking rusted
iron mobile.
The guests in the top floor get a breathtaking
view of the old city walls, and the sun setting
over the Rhone.
Beyond that is a brand-new wing, part of which
looks as though it has been there forever. This
is the little house where Jean and Elisabeth live
with their two teenage sons in very modern, open-plan
style. Once a single-storey outbuilding used for
storage, it has had an extra storey and spiral
staircase leading to the sleeping quarters added,
but a sloping roof of old tiles retained to comply
with listed buiding regulations, makes the building
look from the outside as though it, too, has been
there for 150 years. This has not precluded the
addition of a modern, glass-fronted studio across
the remainder of the rear, from whitch guests
can view Elisabeth's canvasses and the artist
herself at work.
Between the family house and the studio is a purpose-built
studio for visiting artists, whitch, by next summer
will be fitted with a sleeping loft.
Philosophical struggle
When it comes to the decoration of the guest
rooms, two separate philosophies struggle against
each other, resolving in an effective compromise;
Jean, the modern architect, prefers the “less
is more”, approach and uses local materials
and tactile surfaces. He has harnessed hand-made
terracotta tiles from Apt that are contemporary
with the building, and local stone from Cassis
and Tavel.
Wet rooms in place of traditional shower cubicles
add a distinctly contemporary touch.
Rooms reflect the romanticism of Matisse and
Bonnard as well as the spare, but deeply emotional,
modernism of Rothko.
The interior decor is Elisabeth's territory and
here she enters into a dream world inspired by
her favourite artists. Rooms reflect the romanticism
of Matisse and Bonnard as well as the spare, but
deeply emotional, modernism of Rothko, and a touch
of the surrealism of Magritte. She also worked
in antiques for 20 years and has a passionate
love of objects-particularly art nouveau and art
deco-which are carefully placed to chime with
Jean's “less is more” mantra!
“Where we agreed completely is to employ
feng shui principles throughout, and to theme
the guest rooms”, explains Elisabeth, “a
world of travel, a world of theatre, even a world
of dreams”. Thus the Escale suite on the
first floor is designed to recreate the feeling
of a 1920s liner, with a private terrace equipped
with deckchairs intended to resemble a stateroom
balcony and an art deco wood and leather cabin
trunk in place of a wardrobe. “The idea
is to evoke sense of time standing still you get
while you're travelling, especially on the ocean”,
explains Jean, who added a grand external staircase
to mimic the idea of escending a gangplank. A
Japanese wooden bed, along with Oriental screens,
and light fittings from an actual yacht, reinforce
the theme of being gloriously all at sea.
Artistic inspirations
Lumière, on the second floor, pays homage
to the great painters of their Provence, bringing
inside with paint the blue sky which inspired
them, as well as offering inspirational views
over the Rhône, Ramparts and garden.
Coulisse (translation: backstage) is the theatrical
room-cue the red velvet curtains, dressing-room-style
spotlights around the bathroom mirror and an original
poster advertising the Avignon theatre festival:
“It's a deliberately mysterious room-just
as theatre is mysterious in its work of creating
a new reality” says Elisabeth.
The red of the curtain reappears dramatically
here on the walls of the loo. But possibly no
aspect of the interior decor of the house is quite
as startling as the blue ceiling, pale yellow
walls and red marble vanity unit of the Rêve
room devoted to the surreal!
Elisabeth, also a fan of natural materials, chose
100 per cent linen for curtains and pure virgin
wool for bedspreads, as well as making liberal
use of the red and yellow ochre pigments of nearby
Roussillon. But as her secret weapon is her imagination,
description only goes so far... you really have
to experience Lumani for yourself to understand
the magic of its atmosphere.
Rooms at Maison Lumani, 37, rue Rempart St. Lazare,
start at 90 euros and can be booked on tel: (Fr)
à04 90 82 94 11, www.avignon-lumani.com
Description only goes so far.... you'll
have to experience Lumani for yourself to unterstand
the magic of its atmosphere.
|